Umbilical
Umbilical
And Our Collective Ego
And Our Collective Ego
Installation
Installation
COLLABORATORS
Instituto Camões, Fundação GDA
Instituto Camões, Fundação GDA
2025
2025



APPROACH
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.














Umbilical
Umbilical
And Our Collective Ego
And Our Collective Ego
Installation
Installation
COLLABORATORS
Instituto Camões, Fundação GDA
Instituto Camões, Fundação GDA
2025
2025



APPROACH
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.














Umbilical
Umbilical
And Our Collective Ego
And Our Collective Ego
Installation
Installation
COLLABORATORS
Instituto Camões, Fundação GDA
Instituto Camões, Fundação GDA
2025
2025



APPROACH
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.
UMBILICAL is a performative art installation being showcased in its first open rehearsal for a critical audience at Teatro Thalia, Lisboa.
“Two bodies cannot occupy the same space”: it is this Principle of Impenetrability that drives the artistic installation, which uses the body, dance, and the audience as instruments to represent the interests that shape war.
Set within a gallery space and connected by ropes, these social groups act and react according to the occupying forces of a central area, only to discover that what unites them is stronger than what separates them — in a project where the audience surrounds the performers and can interact with the movements of this web of conflict.














